A stunning commercial photo of a (best photography of a (cinematography of the 1944 black-and-white film noir Double Indemnity. shot on film at magic hour in a room filled with volumetric haze by the shining Cinematographer john alcott on a cooke panchro 18mm lens. A wide matte painting by Roger Deakins. Heavy use of light and shadow. Noir:1.2), muted colors, beautiful composition, stern look, 85mm f1.8 and by William Eggleston, 50mm photo, soft light, masterpiece, sharp focus, pretty, (hasselblad:0.8) Negative words::1.2), hyperrealistic, highly detailed, f1.4 lens and muted colors, beautiful composition, stern look, 85mm f1.8, 50mm photo, soft light, masterpiece, sharp focus, pretty, (hasselblad:0.8) | Photo