A beautiful hyperdetailed of the (cinematography of the 1944 black-and-white film noir Vertigo. shot on film at magic hour in a room filled with volumetric haze by the shining Cinematographer john alcott on a cooke panchro 18mm lens. A wide matte painting by Roger Deakins. Heavy use of light and shadow. Noir:1.3), by (Rembrandt and Raphael Lacoste:0.8), (matte and dutch golden age:0.8), ultrawide, (painting:0.3) | Painting