A scene from the 1940s film noir movie Double Indemnity. A wide matte painting by Roger Deakins. shot on film at magic hour in a room filled with volumetric haze by the shining Cinematographer john alcott on a cooke panchro 18mm lens. A wide matte painting by Otello Martelli. Heavy use of light and shadow. 50mm. Vibrant shadows by James Gurney. Ilya Kuvshinov. Stanley Artgerm Lau. Ruan Jia and Fenghua Zhong. high. masterfully illustrated using 3D | Anything