A scene from the 1940s film noir movie Double Indemnity. A wide matte painting by Roger Deakins. shot on film at magic hour in a room filled with volumetric haze by the shining Cinematographer john alcott on a cooke panchro 18mm lens. A wide matte painting by Otello Martelli. Heavy use of light and shadow. 50mm. Vibrant shadows. | Anything